The width of the corners of the mouth often extends to about the location of the iris in the eyes above. Rather than the mouth itself being halfway from the earlobes to the jawline, use that halfway point for the bottom lip. The sides of this guy’s nose extend a little past the inside corners of his eyes. Noses do vary quite a bit in width, so keep that in mind. Well, what do you know - after drawing the ears, you now have a great idea about where to locate the nose! 6. Depending on the person, the ears can stick out a lot or a little, so there’s not a good rule for that other than careful observation. Locate the tops just above the eyes, and bring them down to a point almost halfway from the eyes to the bottom of the jaw. Like any rule of thumb, it’s important to remember this isn’t always the case, and that this applies only to drawing the face head-on in a portrait. That means the gap between the eyes where the bridge of the nose is located is about the same width as the face on either side of the eyes. A good rule of thumb is that the head is about 5 eyes wide But I skipped a step here - how far apart should the eyes be? How big should they be? 4. There is a lot of head above the eyes, as any of us with a receding hairline know. But that’s not really the case.Īs you can see, the eyes are just about halfway between the bottom of the jaw and the top of the head. Well, we have a tendency to think the eyes are closer to the top of the head than the bottom because they are the highest facial feature. If you are drawing a woman, this egg shape might do well to describe her jawline, but let’s say we’re drawing a man with a slightly more angular jaw and flatter chin. But let’s start with an egg… 2. Refine the jawline Of course, this varies depending on the actual person and the angle you are seeing them from. You can think of them as kind of egg-shaped, with the tapered end toward the bottom. Heads are not perfect circles, and they are not perfect ovals either. Here are useful tips to keep in mind as you practice drawing a head. Because we spend all day looking at people, we are very aware when something is a little off in a portrait drawing or painting. Let’s focus specifically on drawing better facial features and a realistic head. While capturing a likeness can be a challenge, heads and faces are some of the trickiest things to draw.
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